Jake Stiel, a graduate student from the University of California, Irvine, is currently understudying two prominent roles in the South Coast Repertory’s production of “Into the Woods.” This engagement is made possible through The Next Stage, a collaborative initiative specifically designed to integrate student actors into professional theater environments. The acclaimed production is scheduled to continue its run for audiences through October 18, providing Stiel an opportunity to perform on a professional stage while completing his academic studies.
Stiel offered insights into what audiences attending "Into the Woods" can anticipate. He characterized the show as "a fresh reinterpretation of a classic Stephen Sondheim piece," signaling a contemporary approach to the well-known musical. According to Stiel, the production features a distinct setting: it takes place within "a rundown 1950s carnival in the woods." He further noted that the performance explores "themes of chosen family," suggesting a focus on relationships and connections formed outside traditional familial structures.
Managing the demands of a rigorous graduate coursework schedule alongside professional theatrical rehearsals presented a significant challenge. Stiel outlined the strategy he employed to balance these commitments, emphasizing the critical role of communication. He maintained "constant communication" with his professors at UC Irvine, his "tight-knit cohort of eight actors" within his graduate program, and the entire production team at South Coast Repertory. This continuous dialogue proved essential for coordination. Stiel specifically mentioned the practical support he received from his classmates, who actively ran lines with him during breaks between their classes. Additionally, the faculty at UC Irvine worked directly to adapt his academic schedule, making it manageable and ensuring he did not feel overwhelmed by the dual responsibilities. This collaborative effort allowed him to pursue both his education and his professional acting opportunity.
During his involvement with South Coast Repertory, Stiel acquired valuable professional lessons. A notable piece of advice came from veteran actor Kim Martin-Cotton, who shared guidance specifically on the responsibilities of an understudy. Martin-Cotton reminded Stiel and other understudies that "once you know the words and blocking, your only job is to keep the ship afloat." Stiel reflected that internalizing this perspective had a profound effect, explaining that it "took an immense amount of pressure off" him by simplifying his immediate objective during the production.
Stiel also shared his perspectives on living in Irvine, drawing connections between the city and his life as an actor. He pointed out that the "reliable, beautiful weather" in Irvine offers a welcome sense of stability, a quality he appreciates given the inherent inconsistency often found in an actor’s professional life. Beyond environmental factors, Stiel expressed a deeper appreciation for the social environment. He stated that the "community of students, faculty and artists" he has encountered and connected with in Irvine has been the most rewarding aspect of his time in the city.
